{"id":74,"date":"2017-04-03T16:41:23","date_gmt":"2017-04-03T20:41:23","guid":{"rendered":"http:\/\/specialprojects.wlu.ca\/conferenceaodatemplate\/?page_id=74"},"modified":"2025-08-04T10:47:20","modified_gmt":"2025-08-04T14:47:20","slug":"resources","status":"publish","type":"page","link":"https:\/\/specialprojects.wlu.ca\/futures-of-memory\/resources\/","title":{"rendered":"Resources"},"content":{"rendered":"\t\t
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Here you’ll find a bibliography of relevant primary film and literary sources and critical theoretical secondary sources that will be continually added to as the project expands and evolves. It is our hope that, by presenting these, they will provide a starting point for future projects and inspire further academic exploration in posthuman(ist) memory.<\/p>\n\n

Critical Theory<\/strong><\/p>\n\n

Agamben, Giorgio. (1998) Homo Sacer: Sovereign Power and<\/em> Bare Life<\/em>. Trans. Daniel Heller\u00a0Roazen. Stanford, CA: Stanford University Press.<\/p>\n\n

Alaimo, Stacy. (2010) Bodily Natures: Science, Environment, and the Material Self<\/em>. Bloomington,\u00a0IN: Indiana University Press.<\/p>\n\n

Assmann, Aleida. (2020) Is the Time Out of Joint? On the Rise and Fall of the Modern Time\u00a0Regime<\/em>. Trans. Sarah Clift. Ithaca and London: Cornell University Press.<\/p>\n\n

Badmington, Neil. (2003) \u201cTheorizing Posthumanism,\u201d Cultural Critique<\/em>, 53 (Winter), 10\u201327.<\/p>\n\n

Bakhtin, Mikhail. (1981) \u201cForms of Time and of the Chronotope in the Novel.\u201d The Dialogic Imagination: Four Essays<\/em>. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 84\u2013258.<\/p>\n\n

Barad, Karen. (2003) \u201cPosthumanist Performativity: Toward an Understanding of How Matter\u00a0Comes to Matter.\u201d Signs<\/em>, 28: 3, 801-831.<\/p>\n\n

Baumann, Zygmunt. (1989) Modernity and the Holocaust<\/em>. Cambridge, UK: Polity.<\/p>\n\n

Benjamin, Walter. (1969) \u201cTheses on the Philosophy of History.\u201d Illuminations<\/em>.\u00a0 Ed. Hannah\u00a0Arendt. Trans. Harry Zohn. New York: Schocken Books, 253\u201364.<\/p>\n\n

—-. (2002) \u201cThe Work of Art in the Age of its Technical Reproducibility.\u201d Selected Writings<\/em>. Vol.\u00a03: 1935-1938<\/em>. Trans. Edmund Jephcott et al. Ed. Howard Eiland and Michael W. Jennings.\u00a0London: Harvard University Press, 101\u201333.<\/p>\n\n

Bennett, Jill. (2003) Regimes of Memory<\/em>. Ed. Susannah Radstone and Katharine Hodgkin.\u00a0London and New York: Routledge, 27-39.<\/p>\n\n

Bergson, Henri. (1988) Matter and Memory<\/em>. New York: Zone Books.<\/p>\n\n

Bolter, Jay, and Richard Grusin. (1999) Remediation: Understanding New Media<\/em>.\u00a0Cambridge,\u00a0Mass.: MIT Press.<\/p>\n\n

Boulter, Jonathan. (2019) Posthuman Space in Samuel Beckett\u2019s Short Prose<\/em>. Edinburgh:\u00a0Edinburgh University Press.<\/p>\n\n

Boym, Svetlana. (2001) The Future of Nostalgia<\/em>. New York: Basic Books.<\/p>\n\n

Braidotti, Rosi. (2013). The Posthuman<\/em>. Cambridge, UK: Polity.<\/p>\n\n

—-. (2018) Posthuman Glossary<\/em>. London, etc.: Bloomsbury.<\/p>\n\n

—-. (2019) Posthuman Knowledge<\/em>. Cambridge, UK: Polity.<\/p>\n\n

—-. (2014) Transformations of Religion and the Public Sphere: Postsecular Publics<\/em>. Ed. Rosi Braidotti, Bolette Blaagaard, Tobijn de Graauw, Eva Midden. New York, NY: Palgrave\u00a0Macmillan.<\/p>\n\n

Brown, William and David Fleming. (2020) The Squid Cinema from Hell: <\/em>Kinotheuthis\u00a0<\/em>Infernalis and The Emergence of Chthulumedia<\/em>. Edinburgh: Edinburgh University Press.<\/p>\n\n

Butler, Judith. (1993) Bodies that Matter<\/em>. London and New York: Routledge.<\/p>\n\n

Carruthers, Mary J. (1990) The Book of Memory: A Study of Memory in Medieval Culture<\/em>. Cambridge: Cambridge University Press.<\/p>\n\n

Cicero, Marcus Tullius. (1954) Rhetorica ad Herennium<\/em>. Trans. Harry Caplan. Oxford: Oxford\u00a0University Press.<\/p>\n\n

—-. De Oratore<\/em>. (1979) New York: Arno Press.<\/p>\n\n

Crownshaw, Richard, ed. (2011) \u201cIntroduction: Transcultural Memory.\u201d Parallax<\/em>, 17: 4, 1-3.<\/p>\n\n

Descartes, Rene. Meditations on First Philosophy<\/em>. Ed. Stanley Tweyman. Trans. Elizabeth S.\u00a0Haldane and G. R. T. Ross. London and New York: Routledge, 1993.<\/p>\n\n

Deleuze, Gilles. (1986) Cinema 1: The Movement-Image<\/em>. Trans. Hugh Tomlinson and Barbara\u00a0Habberjam. Minneapolis: University of Minnesota Press.<\/p>\n\n

—-. (1989) Cinema 2: The Time-Image<\/em>. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press.<\/p>\n\n

—- and F\u00e9lix Guattari. (1987) A Thousand Plateaus. Capitalism and Schizophrenia<\/em>. Trans. Brian Massumi. Minneapolis and London: University of Minnesota Press, 3\u201325.<\/p>\n\n

—- and F\u00e9lix Guattari. (1994) What Is Philosophy?<\/em> Trans. Hugh Tomlinson and Graham\u00a0\u00a0Burchell. New York: Columbia University Press, 201\u2013218.<\/p>\n\n

Derrida, Jacques. (1996) Archive Fever: A Freudian Impression<\/em>. Chicago: University of Chicago\u00a0Press.<\/p>\n\n

—-. (1992) \u201cHow to Avoid Speaking: Denials,\u201d Derrida and Negative Theology<\/em>. Ed. Harold\u00a0 Coward and Toby Foshay. Albany: State University of New York Press, 73\u2013142.<\/p>\n\n

—-. (1986) Memoires for Paul De Man<\/em>. Trans. Cecille Lindsay, Jonathan Culler, and Eduardo Cadava. New York: Columbia University Press.<\/p>\n\n

—-. (1976) Of Grammatology<\/em>. Trans. Gayatri Spivak. Baltimore, Johns Hopkins\u00a0University Press.<\/p>\n\n

Erll, Astrid. (2011) Memory in Culture<\/em>. Trans. Sara B. Young. New York: Palgrave Macmillan.<\/p>\n\n

Ezra, Elizabeth. (2014) \u201cPosthuman memory and the re(f)use economy.\u201d French Cultural\u00a0\u00a0 Studies<\/em>, Vol. 25 (3\/4), 378\u2013386.<\/p>\n\n

Ferrando, Francesca. (2019) Philosophical Posthumanism<\/em>. London, etc.: Bloomsbury.<\/p>\n\n

Foucault, Michel. (1971) The Order of Things: An Archaeology of the Human Sciences<\/em>. New York: Vintage.<\/p>\n\n

Geerts, Evelien. (2016) \u201cPerformativity.\u201d New Materialism<\/em>s Almanac<\/em>. December.<\/p>\n\n

Grosz, Elizabeth. (2011) \u201cTime Out of Joint.\u201d Time and History in Deleuze and Serres<\/em>. Ed.\u00a0Bernd Herzogenrath. London and New York: Continuum.<\/p>\n\n

Grusin, Richard. (2010) Premediation: Affect and Mediality After 9\/11<\/em>. London: Palgrave\u00a0Macmillan.<\/p>\n\n

—-, ed. (2015) The Nonhuman Turn<\/em>. Minneapolis: University of Minnesota Press.<\/p>\n\n

Hansen, Mark. (2010) \u201cMemory.\u201d Critical Terms for Media Studies<\/em>. Ed. W.J.T. Mitchell and\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mark Hansen. Chicago, Ill: University of Chicago Press, 64\u201387.<\/p>\n\n

Haraway, Donna. (1987) \u201cA Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.\u201d Australian Feminist Studies<\/em> 2: 4, 1\u201342.<\/p>\n\n

Hayles, N. Katherine. (1999) How We Became Posthuman. Virtual Bodies in Cybernetics,\u00a0Literature, and Informatics<\/em>. Chicago and London: University of Chicago Press.<\/p>\n\n

Herbrechter, Stefan. (2018) \u201cCritical Posthumanism.\u201d The Posthuman Glossary<\/em>. Rosi\u00a0Braidotti & Maria Hlavajova (eds.). London: Bloomsbury, 94\u201396.<\/p>\n\n

—-. (2013) Posthumanism: A Critical Analysis<\/em>. London, etc.: Bloomsbury.<\/p>\n\n

Hirsch, Marianne. (1997) Family Frames\u2014Photography, Narrative and Postmemory<\/em>.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cambridge, Mass.: Harvard University Press.<\/p>\n\n

Huyssen, Andreas. (2003) Present Pasts: Urban Palimpsests and the Politics of Memory<\/em>. Stanford, CA: Stanford University Press.<\/p>\n\n

Irigaray, Luce. (1985) This Sex Which is Not One<\/em>. Trans. Catherine Porter. Ithaca, NY: Cornell\u00a0University Press.<\/p>\n\n

Journal of Posthuman Studies<\/em>. (2017-). Periodical. Philadelphia, PA: Penn State University Press.<\/p>\n\n

Judt, Tony. (2010) The Memory Chalet<\/em>. New York: Penguin Books.<\/p>\n\n

Kaes, Anton. (1989) From Hitler to Heimat: The Return of History as Film<\/em>. Cambridge: Harvard\u00a0University Press.<\/p>\n\n

Kilbourn, Russell J.A. (2004) \u201cArchitecture and Cinema: The Representation of Memory in W. G.\u00a0 Sebald\u2019s Austerlitz<\/em>.\u201d W.G. Sebald\u2014A Critical Companion<\/em>. Eds. J.J. Long and Anne\u00a0Whitehead. Edinburgh: Edinburgh University Press, 140-54. Reprinted in the U.S. and\u00a0Canada by Washington University Press, Seattle: 2004.<\/p>\n\n

—-. (2013a) \u201cCamera Arriving at the Station: Cinematic Memory as Cultural Memory.\u201d \u201cGhost-towns: Cityscapes, Memories and Critical Theory.\u201d Special issue of Societies<\/em> 3.3: 316-331. Eds. Graeme Gilloch and Changnam Lee. (Reprinted as\u00a0\u201cKameraga yeoke dochakhada:\u00a0munwhajeok giyeokuroseo yeongwhajeok giyeok\u201d\u00a0in Benjamingua 21 Segi Dosimunwha<\/em>. Ed. Changnam Lee and Graeme Gilloch. Seoul: Saemulgyul Publisher, 2018,\u00a0223-255.)<\/p>\n\n

—-. (2010) Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema<\/em>. New York: Routledge.<\/p>\n\n

—-. (2020a) \u201cThe \u2018Fast Runner\u2019 Trilogy, Inuit Cultural Memory and Knowledge (Re-) Production.\u201d \u201cIndigenous Knowledges in North America.\u201d Special issue of Zeitschrift f\u00fcr Anglistik und Amerikanistik, A Quarterly of Language, Literature and Culture<\/em>. Ed. Kerstin Knopf and Birgit Dawes.<\/p>\n\n

—-. (2023a) Feminist Posthumanism in Contemporary Science Fiction Film and Media: From <\/em>Annihilation to <\/em>High Life and Beyond<\/em>. Ed. Julia Empey and Russell J.A. Kilbourn. Bloomsbury Press.<\/p>\n\n

—-. (2023b) \u201cIntroduction: Feminist Refractions of the Posthuman.\u201d In\u00a0Annihilation<\/em>,\u00a0High Life<\/em>,\u00a0and\u00a0Arrival<\/em>.\u201d Feminist Posthumanism in Contemporary Science Fiction Film and\u00a0Media: From <\/em>Annihilation to <\/em>High Life and Beyond<\/em>. Ed. Julia Empey and\u00a0Russell J. A. Kilbourn.\u00a0Bloomsbury Press, 1-14.<\/p>\n\n

—-. (2019) \u201cThe Inuit Elegiac: One Day in the Life of Noah Piugattuk.\u201d The Isuma Book<\/em> (Venice Biennale). http:\/\/www.isuma.tv\/isuma-book<\/a>.<\/p>\n\n

—-. (forthcoming 2024) \u201cMemory After the Human: Posthumanist Memory and the Epimethean Elegiac\u201d. Genealogy of the Posthuman<\/em>. https:\/\/criticalposthumanism.net\/genealogy\/<\/a>.<\/p>\n\n

—-. (2013b) The Memory Effect: The Remediation of Memory in Literature and Film<\/em>. Ed. Russell J. A. Kilbourn and Eleanor Ty. Waterloo: WLU Press.<\/p>\n\n

—-. (2014) \u201c\u2018The Obligations of Memory\u2019: Godard\u2019s Underworld Journeys.\u201d The Legacies of\u00a0 Jean-Luc Godard<\/em>. Eds. Christina Stojanova, Douglas Morrey, et al. Waterloo: WLU Press,\u00a0\u00a0\u00a0\u00a0 81-98.<\/p>\n\n

—-. (2023c) \u201c\u2018Originary Twoness’: Flashbacks and the Materiality of Memory\u00a0in\u00a0Annihilation<\/em>,\u00a0High Life<\/em>, and\u00a0Arrival<\/em>.\u201d Feminist Posthumanism in Contemporary Science Fiction Film and Media: From <\/em>Annihilation to <\/em>High Life and Beyond<\/em>. Ed. Julia Empey and\u00a0Russell J.A. Kilbourn. Bloomsbury Press, 240-61.<\/p>\n\n

—-. (2017) \u201cPremediation (Grusin).\u201d International Encyclopedia of Media Effects<\/em>. Ed. P. Roessler,\u00a0C. Hoffner, & L. van Zoonen.\u00a0Hoboken, NJ: Wiley.<\/p>\n\n

—-. (2019) \u201cThe \u2018Primal Scene\u2019: Memory, Redemption, and \u2018Woman\u2019 in the Films of Paolo Sorrentino.\u201d The Journal of Italian Cinema and Media Studies<\/em> 7:3. Special issue on \u201cPaolo Sorrentino,\u201d 377-94.<\/p>\n\n

—-. (2012) \u201cProsthetic Memory and Transnational Cinema: Globalized Identity and Narrative Recursivity in City of God<\/em>.\u201d Millennial Cinema: Representations of Memory in Film<\/em>. Eds.\u00a0Terence McSweeney and Amresh Sinha. New York: Wallflower Press, 71-96.<\/p>\n\n

—-. (2020b) \u201cThe Train is Always Arriving: Nostalgic Remediation in Remembrance<\/em>.\u201d Short Film Studies<\/em> 10:1. Special issue on \u201cRemembrance,\u201d 65-68.<\/p>\n\n

—-. (2016) \u201cTranslating Affect: Inuit Cinema, Affect Theory, and Knowledge (Re-) Production.\u201d Knowledge Landscapes North America<\/em>. Ed. Sabine Sielke, et al. Universit\u00e4tsverlag Winter: Heidelberg, 269-88.<\/p>\n\n

—-. (2005) \u201cThe Unnamable<\/em>: Denegative Dialogue.\u201d European Joyce Studies<\/em>, 16: 63\u201389.<\/p>\n\n

—-. (2018) W.G. Sebald\u2019s Postsecular Redemption: Catastrophe with Spectator<\/em>. Evanston, IL:\u00a0Northwestern University Press.<\/p>\n\n

Knittel, Susanne C. and Kari Driscoll, ed. (2017) \u201cIntroduction: Memory after Humanism.\u201d\u00a0Parallax<\/em>, 23:4, 439-452.<\/p>\n\n

Kracauer, Siegfried. (1997) Theory of Film: The Redemption of Physical Reality<\/em>. Princeton,\u00a0NJ: Princeton University Press.<\/p>\n\n

Kristeva, Julia (1982). Powers of Horror: An Essay on Abjection<\/em>. Trans. Leon S. Roudiez. New York: Columbia University Press.<\/p>\n\n

Landsberg, Alison. (2004). Prosthetic Memory: The Transformation of American\u00a0Remembrance in the Age of Mass Culture<\/em>. New York: Columbia University Press.<\/p>\n\n

Levinas, Emmanuel. (1986) \u201cThe Trace of the Other\u201d. Trans. by Alphonso Lingis. Deconstruction in Context<\/em>. Ed. Mark Taylor. Chicago: University of Chicago Press, 345-359.<\/p>\n\n

Lyotard, Jean-Fran\u00e7ois. The Inhuman: Reflections on Time<\/em>. Trans. Geoffrey Bennington and Rachel Bowlby. Stanford: Stanford UP, 1991.<\/p>\n\n

MacCormack, Patricia. (2012) Posthuman Ethics<\/em>. Farnham, Surrey: Ashgate.<\/p>\n\n

Marramao, Giacomo. (2007) Kair\u00f3s: Towards an Ontology of \u201cdue Time.\u201d<\/em> Aurora, CO: Davies\u00a0Group.<\/p>\n\n

—-. (2005) Potere e secolarizzazione: Le categorie del tempo<\/em>. Turin: Bollati Boringhieri.<\/p>\n\n

Massumi, Brian. (2002) \u201cThe Autonomy of Affect.\u201d Parables for the Virtual: Movement,\u00a0Affect, Sensation. Durham, N.C.: Duke University Press, 23-34.<\/p>\n\n

—-. (2015) The Politics of Affect<\/em>. Cambridge, UK: Polity.<\/p>\n\n

McDonald, Ronald R. (1987) The Burial Places of Memory: Epic Underworlds in Virgil, Dante and Milton<\/em>. Cambridge, Mass.: University of Massachusetts Press.<\/p>\n\n

Memory Studies<\/em>. (2008-) Periodical. Oakland, Calif.: Sage Publications.<\/p>\n\n

Morton, Timothy. (2013) \u201cWhat are Hyperobjects?\u201d In Hyperobjects. Philosophy and Ecology\u00a0after the End of the World<\/em>. Minneapolis and London: University of Minnesota Press, 27\u201396.<\/p>\n\n

Murray, Stuart. (2017) \u201cDisability and Memory in Posthuman(ist) Narrative: Reading\u00a0Prosthesis and Amnesia in Hollywood\u2019s Re-membering of the \u2018War on Terror\u2019.\u201d Parallax<\/em>, 23:4, 439-452, DOI: 10.1080\/13534645.2017.1374514.<\/p>\n\n

Paraskeva, Anthony. (2017) Samuel Beckett and Cinema<\/em>. London, etc.: Bloomsbury Academic,\u00a089-103.<\/p>\n\n

Pence, Jeffrey. (2003) \u201cPostcinema\/Postmemory.\u201d Memory and Popular Film<\/em>. Ed. Paul Grainge.\u00a0New York: Manchester University Press, 237-256.<\/p>\n\n

Peperell, Robert. (2016) \u201cNeuroscience and Posthuman Memory.\u201d Memory in the Twenty-First\u00a0Century: New Critical Perspectives from the Arts, Humanities, and\u00a0Sciences<\/em>. Ed.\u00a0\u00a0 Sebastian Groes. London: Palgrave Macmillan.<\/p>\n\n

—-. (1997) The Posthuman Condition<\/em>. Chicago: Intellect.<\/p>\n\n

Plate, Liedeke and Anneke Smelik, ed.. (2013) \u201cPerforming Memory in Art and Popular\u00a0Culture: An Introduction.\u201d Performing Memory in Art and Popular Culture<\/em>. New York\u00a0\u00a0and London: Routledge.<\/p>\n\n

Plato. (2007) From Theaetetus<\/em> and Phaedrus<\/em>.Theories of Memory: A Reader<\/em>. Ed. Michael\u00a0Rossington, Anne Whitehead and Linda R. Anderson. Baltimore: Johns Hopkins University Press, 25-27.<\/p>\n\n

—-. (2004) Plato\u2019s<\/em> Meno<\/em>. Newburyport, MA: R. Pullins Co.<\/p>\n\n

—-. (2005) The<\/em> Phaedrus<\/em>. New York: Penguin Books.<\/p>\n\n

—-. (1991) The<\/em> Republic of Plato<\/em>, 2nd<\/sup> ed. Trans. Allan Bloom. New York: Basic Books.<\/p>\n\n

—-. (2004) Plato\u2019s Theaetetus<\/em>. Newburyport, MA: R. Pullins Co.<\/p>\n\n

Roden, David. (2018) \u201cSpeculative Posthumanism.\u201d In The Posthuman Glossary<\/em>. Rosi Braidotti & Maria Hlavajova (eds.). London: Bloomsbury, 398-401.<\/p>\n\n

Rothberg, Michael. (2009) Multidirectional Memory: Remembering the Holocaust in the Age of\u00a0Decolonization<\/em>. Stanford, CA: Stanford University Press.<\/p>\n\n

Scheer, Edward. (2012) \u201cPosthuman Scenarios and Performative Media.\u201d Performance Research<\/em>, 17.3, 23-32. http:\/\/dx.doi.org\/10.1080\/13528165.2012.696856.<\/p>\n\n

Sharp, Hasana. (2016) \u201cEndangered Life: Feminist Posthumanism in the Anthropocene?\u201d In Feminist Philosophies of Life<\/em>. Hasana Sharp and Chlo\u00eb Taylor (eds.). Montreal and Kingston: McGill\/Queen\u2019s University Press, 272-282.\u00a0<\/p>\n\n

Shaviro, Steven. (2010) Post-cinematic Affect. Washington, D.C.: Zero Books.<\/p>\n\n

Smelik, Anneke. (2009) \u201cThe Virtuality of Time: Memory in Science Fiction Films.\u201d\u00a0Technologies of Memory in the Arts<\/em>. Ed. Anneke Smelik and Liedeke Plate. Basingstoke:\u00a0Palgrave Macmillan, 52-68.<\/p>\n\n

Spinoza, Baruch. (2002) Complete Works<\/em>. Michael L. Morgan (ed.). Indianapolis and\u00a0Cambridge: Hackett Publishing.<\/p>\n\n

Stiegler, Bernard. (2011) Technics and Time, 3: Cinematic Time and the Question of Malaise<\/em>.\u00a0Trans. Stephen Barker. Stanford: Stanford University Press.<\/p>\n\n

Terdiman, Richard. (1993) Present Past: Modernity and the Memory Crisis<\/em>. Ithaca and\u00a0London: Cornell University Press.<\/p>\n\n

Thomsen, Mads Rosendahl. (2017) \u201cPosthuman Memory.\u201d Exploring Text, Media, and\u00a0Memory<\/em>. Ed. Lars S\u00e6tre, et al.. Aarhus: Aarhus Universitetsforlag, 515-536.<\/p>\n\n

Turim, Maureen. (1989) Flashbacks in Film: Memory and History<\/em>. New York: Routledge.<\/p>\n\n

Wolfe, Cary. (2010) \u201cWhat Is Posthumanism?\u201d In What Is Posthumanism?<\/em> Minneapolis and\u00a0London: University of Minnesota Press, xi-xxxiv.<\/p>\n\n

Literature<\/strong><\/p>\n\n

Beckett, Samuel. (1960) Beckett, Krapp\u2019s Last Tape. <\/em>Krapp\u2019s Last Tape and Other Dramatic\u00a0Pieces<\/em>. New York: Grove Press.<\/p>\n\n

—-. (1991) Three Novels: \u201cMolloy,\u201d \u201cMalone Dies,\u201d \u201cThe Unnamable<\/em>\u201d. New York: Grove Press.<\/p>\n\n

Brecht, Bertolt. (1990) Antigone<\/em>. Trans. Judith Malina. Applause Theatre Books.<\/p>\n\n

Chiang, Ted. (2016) \u201cStory of Your Life.\u201d Stories of Your Life and Others<\/em>. New York: Vintage.<\/p>\n\n

DeLillo, Don. (1986) White Noise<\/em>. New York: Penguin Books.<\/p>\n\n

Le Guin, Ursula K. (2019) The Lefthand of Darkness<\/em>. Penguin Random House.<\/p>\n\n

Levi, Primo. (1988) If This Is A Man<\/em> and The Truce<\/em>. Trans. Stuart Woolf. Bungay, Suffolk: Sphere Books.<\/p>\n\n

Proust, Marcel. (1996) In Search of Lost Time, Volume 1: Swann\u2019s Way<\/em>. Trans. C. K. Scott\u00a0Moncrieff. London: Vintage.<\/p>\n\n

Shakespeare, William. Hamlet<\/em>. (2017) Ed. Abigail Rokison-Woodall. London, etc.: Bloomsbury.<\/p>\n\n

Sophocles. Antigone<\/em>. (1984) The Three Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus<\/em>. Trans. Robert Fagles. New York and London: Penguin.<\/p>\n\n

Tagaq, Tanya. (2018) Split Tooth<\/em>. Penguin Canada.<\/p>\n\n

Taubes, Susan. Lament for Julia<\/em>. (2023) New York Review of Books.<\/p>\n\n

VanderMeer, Jeff. (2014) Annihilation<\/em>. London: Fourth Estate.<\/p>\n\n

Von Kleist, Heinrich. (1994) \u201cOn the Marionette Theatre.\u201d Essays on Dolls<\/em>. Trans. Idris Parry and\u00a0 Paul Kegan. London and New York: Syrens\/Penguin.<\/p>\n\n

Yates, Frances. (1966) \u201cThe Three Latin Sources for the Classical Art of Memory,\u201d The Art of<\/em> Memory<\/em>. Chicago: University of Chicago Press, 1-26.<\/p>\n\n

Woolf, Virginia. (2017) To the Lighthouse<\/em>. Delphi Classics.<\/p>\n\n

Films<\/strong><\/p>\n\n

Annihilation<\/em>. (2018) Dir. Alex Garland. UK: Paramount Pictures, Skydance Media, Scott Rudin Productions.<\/p>\n\n

Antigone<\/em>. (2019) Dir. Sophie Deraspe. Canada: Association Cooperative des Productions Audio\u00a0Visuelles (ACPAV).<\/p>\n\n

Arrival<\/em>. (2016) Dir. Denis Villeneuve. USA: Lava Bear Films, FilmNation Entertainment,\u00a021 Laps Entertainment.<\/p>\n\n

Atanarjuat, The Fast Runner<\/em>. (2001) Dir. Zacharias Kunuk and Norman Cohn. Canada: Igloolik Isuma Productions, National Film Board of Canada, Aboriginal Peoples Television Network.<\/p>\n\n

L\u2019avventura<\/em>. (1960) Dir. Michelangelo Antonioni. Italy + France: Cino del Duca, Produzioni\u00a0 Cinematografiche Europee (PCE), Societ\u00e9 Cin\u00e9matographique Lyre.<\/p>\n\n

Cach\u00e9<\/em>. (2005) Dir. Michael Haneke. France, Austria, Germany, Italy: Les Films du Losange,\u00a0Wega Film, Bavaria Film.<\/p>\n\n

Cave of Forgotten Dreams<\/em>. (2010) Dir. Werner Herzog. Canada, USA, France, Germany, UK: Creative Differences, History Films, Minist\u00e8re de la Culture et de la Communication.<\/p>\n\n

Decalogue 1<\/em>. (1989) Dir. Krzysztof Kieslowski. Poland and West Germany: Sender Freies\u00a0Berlin, Telewizja Polska, Zespol Filmowy \u2018Tor.\u2019<\/p>\n\n

Futura<\/em> (2021). Dir. Pietro Marcello, Francesco Munzi, Alice Rohrwacher. Italy: Avventurosa, Rai Cinema, Ministerio della Cultura (MiC), Fondazione Sardegna Film Commission, Regione\u00a0\u00a0\u00a0 Lazio.<\/p>\n\n

High Life<\/em>. (2018) Dir. Claire Denis. France, UK, Germany, Poland, USA: Alcatraz Films, Andrew Lauren Productions, Arte France Cin\u00e9ma.<\/p>\n\n

Hiroshima, Mon Amour<\/em>. (1959) Dir. Alain Resnais. France and Japan: Argos Films, Como Films,\u00a0Daiei Studios.<\/p>\n\n

The Journals of Knud Rasmussen<\/em> (2006). Dir. Zacharias Kunuk and Norman Cohn. Canada,\u00a0Denmark, Greenland: Igloolik Isuma Productions.<\/p>\n\n

Le Meraviglie<\/em> (2014). Dir. Alice Rohrwacher. Italy, Switzerland, Germany: Tempesta, Amka\u00a0\u00a0\u00a0 Films Productions, Rai Cinema.<\/p>\n\n

Nostalghia<\/em>. (1983) Dir. Andrei Tarkovsky. Italy and Soviet Union: Rai 2, Sovinfilm.<\/p>\n\n

One Day in the Life of Noah Piugattuk<\/em>.(2019) Dir.Zacharias Kunuk and Norman Cohn. Canada:\u00a0\u00a0 Kingulliit Productions.<\/p>\n\n

Le Quattro Volte<\/em>. (2010) Michelangelo Frammartino. Italy, Germany, Switzerland: Vivo Film,\u00a0Essential Filmproduktion GmbH, Invisible Film, Ventura Film.<\/p>\n\n

Solaris<\/em>. (1972) Dir. Andrei Tarkovsky. Soviet Union: Mosfilm, Chetvyortoe Tvorcheskoe\u00a0Obedinenie.<\/p>\n\n

Son of Saul<\/em>. (2015) Dir. Laszlo Nemes. Hungary: Laokoon Filmgroup, Hungarian National Film\u00a0Fund, Sam Spiegel International Film Lab.<\/p>\n\n

Stalker<\/em>. (1979) Dir. Andrei Tarkovsky. Soviet Union: Mosfilm, Chetvyortoe Tvorcheskoe\u00a0Obedinenie.<\/p>\n\n

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